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Kevin Drew: That was the first time I heard a new song that I immediately related to. Kevin Drew was fourteen and had just heard Dinosaur Jr. Eight years earlier, while grungy hHead released their first cassette and took over 1150 Queen Street West, guitarist Andrew Whiteman was playing in one of the most popular bands in Toronto, soul/funk collective the Bourbon Tabernacle Choir. Canning tempered young Drew’s lofty enthusiasm and arty indulgence with even-tempered experience and a focused pop sensibility. Seven years older than the wide-eyed, hungry Drew, Canning was already a road-tested band vet, and BSS marked his transformation from grinning, fresh-faced hHead bassist to wise, soft-spoken elder. And the process of how they all met one another is intimately tied with how their sound evolved.īroken Social Scene began in 1999 with the collaboration of Kevin Drew and Brendan Canning. Their various starting points all contributed to the band’s unique sound and modus operandi. The story of how BSS came together is like an explosion in reverse. They’re also also reductively labelled ‘indie-rock’ - which paints over the way their sound drew on different elements of the underground nineties: post-rock, dreampop, dub, folk, ambient electronica. Check out Kevin Drew in a live chat with Jonny, today at 5pm via Instagram Social Scene are usually described as a sprawling collective, their name a commentary on their large, fractured membership.
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Purchase your copy of the book on SpacingStore.ca.
#Broken social scene cause time full
The full 15-member edition of BSS reconvened to record their fifth album, Hug of Thunder, which was released in July 2017.Spacing is teaming up with Coach House Books and Jonny Dovercourt to bring you partial and complete chapter excerpts from the new book on Toronto’s music scene from 1957-2001, Any Night of the Week (2020).
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The 13 finalists’ stories were published in a book titled The Broken Social Scene Story Project: Short Works Inspired by You Forgot It in People.
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(In the United States, it peaked at 34, an impressive achievement for an independent release.) In late 2010, Broken Social Scene once again went on hiatus, though they re-formed for occasional concerts and festival appearances, and in 2013 they sponsored a literary competition, inviting authors to write short stories inspired by songs from You Forgot It in People. Fans who pre-ordered the album also received a ten-song digital EP, Lo-Fi for the Dividing Nights, while also releasing seven different remixes of the track “All to All.” Another critical success, the album was nominated for the Polaris Music Prize, and rose to number one on the Canadian sales charts. The album Forgiveness Rock Record was recorded in Toronto, New York, and Chicago, and included contributions from 28 different musicians, including members of Pavement and Death from Above 1979. In 2010, Broken Social Scene returned with an especially ambitious project. The group, whose membership has been as small as two and as large as 15, has created an eclectic body of work that’s explored many stylistic avenues, from ambient minimalism to brightly orchestrated Baroque pop. As much a creative collective as an indie rock band, Broken Social Scene is a Toronto-based ensemble whose flexible lineup has included some of the best and best-known musicians from the city’s left-of-center music community.